Diamond Crown and Pavilion Angles: How They Work Together
Last reviewed
Crown angle and pavilion angle are two of the most important numbers on a round brilliant diamond's proportion diagram, but neither number should be judged independently.
The crown is the upper part of the diamond above the girdle. Its facets help admit, redirect and disperse light before that light leaves the diamond towards the observer. The pavilion sits below the girdle and performs much of the internal reflection that determines whether light is returned effectively through the top of the stone or lost through other directions.
This creates a relationship rather than two independent specifications.
A crown angle that works beautifully with one pavilion angle can behave differently with another. Likewise, a pavilion angle that looks attractive in one proportion set may produce excessive darkness or leakage when combined with a different crown, table, lower-half structure or overall geometry.
That is why Dalila does not recommend buying a round diamond simply because it has a 34.5° crown or a 40.8° pavilion.
Those can be useful reference numbers.
They are not a guarantee.
The more accurate buying principle is:
Judge the crown and pavilion as a pair, then verify the complete diamond through its actual face-up appearance.
Quick Answer: What Crown and Pavilion Angles Should You Look For?
For a focused round-brilliant shortlist, Dalila commonly begins around a 34–35° crown angle combined with a 40.6–40.9° pavilion angle.
A classic reference combination is approximately 34.5° crown with 40.8° pavilion, but that should not be interpreted as the only correct round-diamond geometry.
GIA's cut system accepts a much broader range of crown and pavilion combinations because proportions can compensate for one another. GIA also emphasises that the crown angle must be interpreted with table size and pavilion angle, while even small pavilion-angle changes can materially affect face-up appearance.
The safest approach is therefore to use the numbers for shortlisting rather than final approval.
| Combination | Dalila Interpretation |
|---|---|
| Crown ~34–35° + Pavilion ~40.6–40.9° | Strong focused shortlist when the rest of the proportions also work |
| Steeper crown + slightly shallower pavilion | Can work because the relationship may compensate, but inspect directly |
| Shallower crown + slightly steeper pavilion | Can also produce acceptable combinations depending on the complete design |
| Very steep crown + steep pavilion | Greater risk of excessive depth, darkness or weak light return |
| Very shallow crown + shallow pavilion | May sacrifice desirable fire, contrast or balanced light behaviour |
| Any angles considered alone | Insufficient basis for purchase |
These are buying guidelines, not alternative GIA grading rules.
What Is Crown Angle?
The crown angle describes the inclination of the main crown or bezel facets in the upper part of a round brilliant.
GIA reports the average crown angle from eight bezel facets to the nearest 0.5 degree. This reporting precision is important because the number printed on the report is an average rather than an exact description of every individual facet.
The crown contributes to several aspects of appearance. Its geometry affects how light enters and exits the diamond, how much spectral dispersion can be produced and how the diamond balances white brightness with coloured fire.
A higher crown generally creates a taller upper section, while a lower crown creates a flatter profile. But interpreting a crown simply as “higher equals more fire” or “lower equals more brightness” is too simplistic because the pavilion and table alter the result.
GIA notes that crown angles roughly within the low-to-mid 30-degree range can produce attractive bright and fiery diamonds when they are paired with the right table and pavilion angle.
The phrase “when paired with” is the important part.
What Is Pavilion Angle?
The pavilion angle describes the inclination of the pavilion main facets beneath the girdle.
These facets play a central role in returning light towards the observer. GIA reports the average pavilion angle from eight pavilion mains to the nearest 0.2 degree.
That relatively small reporting increment reflects how optically sensitive pavilion geometry can be.
GIA specifically notes that subtle pavilion-angle changes can have significant effects on face-up appearance. A pavilion that becomes too steep can produce excessive darkness beneath the table, while pavilion geometry that becomes too shallow can allow more light to escape rather than returning efficiently through the crown.
The pavilion is therefore not simply the lower half of the diamond.
It is one of the principal controls over light return.
Why Crown and Pavilion Angles Must Be Read Together
Imagine light entering through the top of the diamond.
The crown helps direct that light into the stone.
The pavilion then reflects it internally.
The crown subsequently helps determine how the returning light exits and how much of it appears as white brightness, coloured dispersion and changing contrast.
If the pavilion redirects the light poorly, a beautifully proportioned crown cannot rescue the entire optical system.
Likewise, an attractive pavilion angle does not guarantee a beautiful stone if the crown, table and remaining facets create an unbalanced design.
That is why diamond-cut research does not treat these two measurements as isolated quality grades.
The round brilliant works as a three-dimensional optical system.
Why Pavilion Angle Is Especially Sensitive
Small differences around the pavilion can produce meaningful differences in where internal reflections travel.
This does not mean that a diamond at 40.8° is automatically excellent while one at 41.0° is automatically poor.
The effect depends on the crown and the rest of the stone.
But the pavilion deserves close attention because even a relatively small numerical change can alter the balance between useful return, obstruction contrast and leakage.
This is also why two diamonds with almost identical table and total-depth percentages can look different.
Those summary percentages do not tell you exactly how the crown and pavilion have divided the total geometry.
For that deeper comparison, the angle relationship becomes much more useful.
Why 34.5° Crown and 40.8° Pavilion Are So Often Discussed
The combination of approximately 34.5° crown and 40.8° pavilion is widely used as a reference because it sits within a region associated with strong round-brilliant performance.
It is a useful benchmark.
It should not become a superstition.
GIA's own cut research found that many different proportion combinations can produce attractive brightness and fire. Its cut-grading system therefore evaluates a very large range of possible proportion sets rather than defining one mathematical recipe as the only ideal.
That means a diamond with 34.0°/40.8° can be excellent.
A 35.0°/40.6° combination can also be attractive.
Another combination slightly outside Dalila's focused shortlist may still perform beautifully when the complete geometry works.
The purpose of the focused range is to reduce the number of candidates you need to investigate.
It is not to claim that every strong diamond has identical numbers.
Steeper Crown With Shallower Pavilion
One of the most important ideas in round-diamond proportions is compensation.
A somewhat steeper crown can sometimes work effectively with a slightly shallower pavilion.
This is because the combined geometry can still direct light through an attractive path even though neither measurement matches one supposedly perfect pair.
For example, a crown approaching the upper side of Dalila's preferred range may pair well with a pavilion towards the lower side.
The result still needs to be checked against table size, total depth, girdle, lower halves and actual visual performance.
The phrase “steep crown” should therefore not automatically trigger rejection.
What matters is what sits beneath it.
Shallower Crown With Steeper Pavilion
The opposite relationship can also occur.
A somewhat shallower crown can sometimes work with a slightly steeper pavilion and still remain within an attractive cut design.
Again, this is not a formula telling you to offset every angle mechanically.
The crown and pavilion are only part of the system.
A shallower crown can alter fire and crown height, while the steeper pavilion can change internal return and central contrast. Whether the combination remains attractive depends on the rest of the stone.
This is precisely why adding the two angles together or calculating some homemade crown-to-pavilion ratio is not a reliable buying method.
Use established cut information and inspect the actual diamond instead.
What Is a Steep-Deep Round Diamond?
The phrase steep-deep is commonly used for round brilliants where both crown and pavilion geometry move towards the steeper side, often creating greater overall depth and potentially less desirable face-up behaviour.
The exact numbers should not be reduced to one universal boundary.
The problem is the relationship.
When the crown is already steep and the pavilion also becomes steep, the stone may develop undesirable darkness or weaker light return. Additional depth can also place more of the carat weight vertically rather than contributing to visible diameter.
This means a steep-deep diamond can potentially create two disadvantages at once: weaker optical behaviour and less efficient face-up spread.
That is why a round diamond with impressive carat weight should still be checked against its actual millimetre diameter.
Can the Pavilion Be Too Shallow?
Yes.
A pavilion that becomes excessively shallow can cause light to exit through directions that do not contribute effectively to the face-up image.
The result can include areas of weaker light return or an appearance that lacks the balanced contrast expected from a strong round brilliant.
However, “shallow” cannot be judged from one number without context.
A slightly shallower pavilion can pair successfully with a somewhat steeper crown.
It becomes problematic when the complete geometry no longer returns light effectively.
This distinction matters because buyers sometimes reject every pavilion below their favourite reference number even when the actual stone performs strongly.
Can the Crown Be Too Steep?
Yes.
An excessively steep crown can contribute to unnecessary depth and alter the balance of brightness and fire.
But, once again, the pavilion relationship determines how serious the concern is.
A crown around 35° is not inherently problematic.
A crown above that is not automatically poor.
The danger comes from treating the number as independent of the complete proportion set.
If a steeper crown is combined with a pavilion that is also moving too steep and the total depth becomes inefficient, the candidate deserves much closer scrutiny.
Can the Crown Be Too Shallow?
A shallow crown creates a flatter upper profile and can reduce the geometric conditions that produce an attractive balance of dispersion and contrast.
This does not mean that every diamond with a lower crown angle looks bad.
Some shallower crowns sit within GIA Excellent combinations because other proportions work with them.
For a buyer looking for a concentrated high-performance shortlist, however, Dalila generally prefers to remain closer to the mid-30-degree crown region rather than deliberately searching at the extremes.
The objective is not to find the widest possible acceptable range.
It is to find high-quality candidates efficiently.
Crown Angle and Fire
Fire is the spectral colour produced when white light is dispersed into its component colours.
The crown plays an important role in this process because returning light exits through crown facets and can be dispersed before reaching the observer.
This is one reason buyers sometimes associate a higher crown with stronger fire.
There is some physical logic behind that relationship, but it should not be turned into a one-number rule.
If the pavilion does not return enough useful light towards the crown, increasing crown angle does not automatically create a beautiful fiery diamond.
Likewise, fire needs suitable lighting to become visible.
A strong round brilliant should balance fire with brightness and scintillation rather than maximise one effect while sacrificing the others.
Internally link this section to Diamond Fire vs Brilliance vs Scintillation.
Pavilion Angle and Brightness
The pavilion has a particularly strong relationship with internal light return.
A well-coordinated pavilion helps return light back through the crown towards the observer.
When the pavilion geometry is less successful, some of that light may leave through other directions or the face-up pattern may contain excessive darkness.
But apparent brightness is not generated by pavilion angle alone.
The observer, lighting environment, crown, table, lower-half facets and contrast pattern all influence the final image.
This is why the most accurate word is interaction.
Pavilion angle is crucial.
It is not the entire cut.
Dark Areas Do Not Automatically Mean Bad Pavilion Angles
A strong round brilliant requires contrast.
The familiar arrow pattern in a well-organised round includes dark areas caused partly by observer obstruction.
Those areas contribute to scintillation because they alternate with brighter reflections as the stone moves.
Therefore, seeing darkness beneath the table does not automatically prove that light is leaking through the pavilion.
The concern arises when darkness becomes excessive, persistent or poorly distributed rather than forming attractive organised contrast.
Dalila's Diamond Light Leakage Explained article should own the deeper distinction between normal obstruction contrast and genuine leakage.
Crown and Pavilion Angles vs Table Percentage
The table changes how the crown system behaves.
A larger table reduces the width of the surrounding crown area, while a smaller table gives the crown facets more physical space.
This affects the complete face-up design.
That means the same crown/pavilion combination can behave somewhat differently when the table changes materially.
This is one reason GIA explicitly states that attractive crown angles depend on both the pavilion angle and table percentage.
Do not take a 34.5°/40.8° pair and approve the diamond without looking at its table.
The angles are a relationship inside a larger relationship.
Crown and Pavilion Angles vs Total Depth
Total depth tells you how tall the complete diamond is relative to its average diameter.
It does not tell you exactly how that depth is distributed.
Two round diamonds can have similar total-depth percentages while one carries more height in the crown and another carries more depth in the pavilion.
Those differences can affect both appearance and spread.
This is why the Diamond Table and Depth Explained article and this page should work together.
Table and total depth provide quick screening data.
Crown and pavilion angles explain much more of the underlying geometry.
Crown Angle Is Not the Same as Crown Height
These measurements are related but different.
Crown angle measures the inclination of the crown's bezel facets.
Crown height expresses how tall the crown is relative to the average diameter.
Table size also affects the relationship between them.
Therefore, two stones with similar crown angles do not necessarily have perfectly identical crown-height percentages.
For ordinary buying decisions, crown angle is generally the more familiar comparison number, but the complete proportion diagram remains useful.
Pavilion Angle Is Not the Same as Pavilion Depth
The same distinction applies below the girdle.
Pavilion angle measures facet inclination.
Pavilion depth expresses pavilion height relative to the diamond's diameter.
They are geometrically related, but they should not be treated as interchangeable report values.
For modern round-brilliant comparison, pavilion angle can be particularly useful because very small changes around the pavilion mains can materially influence face-up appearance.
Why Two 40.8° Pavilion Diamonds Can Still Look Different
The pavilion angle shown on a grading report is an average.
GIA reports pavilion angle to the nearest 0.2°.
Likewise, crown angle is averaged and rounded to the nearest 0.5°.
Therefore, two reports showing exactly 34.5° crown and 40.8° pavilion do not prove that the physical facet geometry is perfectly identical.
The stones can also differ in table size, star length, lower-half length, girdle, painting/digging, optical symmetry and manufacturing precision.
This is one of the strongest reasons not to buy a diamond entirely from spreadsheet filters.
Printed proportions are extremely useful.
They do not contain the complete optical fingerprint.
GIA Excellent Does Not Mean One Crown/Pavilion Combination
A GIA Excellent cut grade represents a range of acceptable proportion sets and face-up appearances.
It does not mean every Excellent diamond has the same crown and pavilion angles.
GIA's Facetware system uses a database containing tens of millions of proportion sets to estimate round-brilliant cut grades from combinations including table, crown angle, pavilion angle, star length, lower-half length and girdle information.
That alone illustrates why there is no single official GIA “ideal” crown/pavilion pair.
For Dalila buyers, GIA Excellent should therefore be the beginning of the technical shortlist rather than the end.
Use the grade.
Then compare the geometry within that grade.
Is 34° Crown With 40.8° Pavilion Good?
It can be an excellent combination.
A 34° crown sits within Dalila's focused region, while a pavilion around 40.8° is a commonly used reference point.
But do not approve the diamond solely from those two values.
Check its table, depth, spread, video and complete appearance.
The combination tells you that the diamond deserves consideration.
It does not complete the purchase decision.
Is 34.5° Crown With 40.8° Pavilion Good?
Yes, this is one of the most familiar reference pairings for a round brilliant.
It sits near the centre of many focused proportion filters and can produce excellent brightness, fire and scintillation when the rest of the diamond is well executed.
The mistake is turning 34.5/40.8 into a requirement.
A diamond does not become inferior merely because one number differs slightly.
Use the pairing as a benchmark, not a commandment.
Is 35° Crown With 40.6° Pavilion Good?
It can be very attractive.
This is a useful example of a slightly steeper crown working with a slightly shallower pavilion.
The combination illustrates why angle interaction is more important than comparing each measurement against one isolated ideal.
As always, table, total depth and actual light performance still need to support the pair.
What About 35° Crown With 41° Pavilion?
This combination deserves more caution because both sides of the relationship are becoming steeper.
That does not mean every diamond displaying those averaged report values is automatically poor.
However, it moves away from Dalila's tighter shortlist and increases the importance of checking centre darkness, light return, total depth and visible spread.
If a more balanced candidate is available at the same price and specification, Dalila would generally investigate that candidate first.
Should You Reject Every Pavilion Above 40.9°?
No.
Doing so would turn a useful shortlist into an artificial grading system.
GIA Excellent includes proportion relationships outside Dalila's focused range.
A diamond with a pavilion outside 40.6–40.9° can still look attractive.
Dalila's focused range simply reduces the probability of spending time on proportion sets that require more careful justification.
If the diamond is outside the focused range but has excellent diagnostics, strong video and attractive face-up behaviour, evaluate the evidence rather than rejecting the number automatically.
Should You Reject Every Crown Outside 34–35°?
Again, no.
GIA research supports attractive diamonds across a broader crown-angle range when the rest of the proportions compensate correctly.
Dalila uses approximately 34–35° as a focused buyer shortlist, not as a new laboratory cut grade.
This distinction is important for SEO accuracy.
There is no responsible reason to tell buyers that a 33.5° or 35.5° crown can never be excellent.
What changes is the amount of supporting evidence you should demand from the complete stone.
Crown and Pavilion Angles and Light Leakage
Poorly coordinated pavilion geometry can contribute to weak light return, but leakage should not be diagnosed from the proportion diagram alone.
Diagnostic imaging such as Ideal-Scope or ASET can show how the diamond handles light under controlled viewing environments.
Slow video can also reveal whether the face-up pattern remains bright and dynamic.
If a diamond has proportions near the edge of your preferred range, diagnostics become particularly useful.
Internally link here to Diamond Light Leakage Explained.
The correct workflow is:
use angles to identify candidates, then use appearance evidence to validate them.
Crown and Pavilion Angles and Hearts and Arrows
Hearts and Arrows describes a pattern produced by strong optical symmetry in suitably proportioned round brilliants.
It should not be treated as another name for good crown and pavilion angles.
Two diamonds can share similar average crown and pavilion values while differing materially in optical symmetry.
Likewise, achieving a recognisable Hearts and Arrows pattern does not automatically guarantee that every buyer will prefer the resulting light performance.
The angles establish part of the geometry.
Optical precision describes another aspect of execution.
Keep those concepts separate.
What Should You Check After the Angles?
Once a round diamond has passed the crown/pavilion shortlist, look at its table, total depth and actual diameter.
Then review the grading report's cut, polish and symmetry information.
After that, inspect a slow face-up video.
Watch whether brightness remains well distributed across the stone and whether the contrast pattern changes attractively during movement.
If credible Ideal-Scope, ASET or other diagnostic imagery is available, use it as additional evidence.
The final purchase should result from the evidence stack rather than one proportion number.
The Dalila Crown and Pavilion Decision Framework
For a GIA-graded round brilliant, begin with Excellent cut.
Then use a focused crown/pavilion region—approximately 34–35° crown and 40.6–40.9° pavilion—to identify promising candidates quickly.
Do not require both numbers to sit at the exact middle of those ranges.
Look at how they interact.
A slightly steeper crown may work with a slightly shallower pavilion. A slightly shallower crown may work with a somewhat steeper pavilion.
Next compare table, total depth and diameter to make sure the complete design remains efficient.
Then inspect actual face-up appearance.
If two diamonds have similar grades but one displays stronger brightness, cleaner contrast and more attractive movement, choose the better-looking stone even if the other has numbers closer to a popular theoretical target.
The objective is not to own the most satisfying spreadsheet.
It is to own the better diamond.
Common Crown and Pavilion Angle Mistakes
One common mistake is searching for exactly 34.5°/40.8° and rejecting everything else.
Another is checking pavilion angle without considering crown angle.
The reverse is equally problematic.
Buyers also sometimes assume that every dark area under the table represents a pavilion problem, even though healthy round diamonds require organised contrast.
Another mistake is treating GIA Excellent as proof that every Excellent diamond will have identical performance.
Finally, do not build homemade formulas by adding crown and pavilion angles together or calculating an arbitrary ratio between them.
The interaction is more complex than one arithmetic shortcut can represent.
Final Answer: What Crown and Pavilion Angles Are Best?
There is no single crown-and-pavilion combination that defines the only excellent round brilliant.
For a focused Dalila shortlist, approximately 34–35° crown with 40.6–40.9° pavilion is a strong region to begin investigating.
The classic 34.5°/40.8° combination is an excellent reference point, but it should remain exactly that—a reference.
The deeper principle is compensation.
A somewhat steeper crown can sometimes work effectively with a slightly shallower pavilion. A somewhat shallower crown can sometimes work with a slightly steeper pavilion.
Problems become more likely when the relationship moves too far towards an unbalanced geometry, particularly when crown and pavilion both become excessively steep or the complete stone begins sacrificing light performance and face-up spread.
Therefore, use this sequence:
GIA Excellent → crown/pavilion relationship → table and depth → diameter → slow video → diagnostic evidence where available → direct comparison.
Use the angles to find better candidates.
Use the actual diamond to make the decision.
Compare Round Brilliant Natural Diamonds with Dalila
Dalila Diamonds evaluates round brilliant natural diamonds beyond the headline cut grade.
Crown angle, pavilion angle, table, depth, diameter and face-up light performance all need to work together before a candidate deserves final approval.
If the required natural round brilliant is not available in current inventory, DS4U – Diamond Source For You can source according to carat, colour, clarity, preferred proportion range, report and budget.
Frequently Asked Questions About Crown and Pavilion Angles
What is the best crown angle for a round diamond?
There is no single universal best crown angle. Dalila commonly focuses around 34–35° for shortlisting, while GIA recognises attractive combinations across a broader range when the pavilion, table and other proportions work correctly.
What is the best pavilion angle for a round diamond?
Dalila's focused shortlist is approximately 40.6–40.9°. The pavilion should still be interpreted with the crown angle and complete proportion set rather than used as an isolated pass/fail number.
Is 34.5 crown and 40.8 pavilion ideal?
It is an excellent reference combination and sits within a strong proportion region, but it is not the only combination capable of excellent light performance.
Is 34 crown and 40.8 pavilion good?
Yes, it can be an excellent combination when table, depth and the rest of the diamond also work well.
Is 35 crown and 40.6 pavilion good?
It can be. It is a useful example of a slightly steeper crown pairing with a slightly shallower pavilion.
Is 35 crown and 41 pavilion bad?
Not automatically, but the combination deserves greater scrutiny because both measurements move towards the steeper side. Check depth, brightness, central darkness and diagnostics.
What does crown angle affect?
Crown geometry influences the diamond's face-up appearance, including how returning light exits and how brightness, fire and contrast are balanced.
What does pavilion angle affect?
The pavilion strongly influences internal light return. Small pavilion-angle changes can significantly alter face-up appearance.
Can a pavilion angle be too steep?
Yes. Excessively steep pavilion geometry can contribute to undesirable darkness or inefficient light return.
Can a pavilion angle be too shallow?
Yes. Excessively shallow pavilion geometry can allow light to leave through less useful directions rather than returning effectively to the observer.
Can a crown angle be too steep?
Yes. An excessively steep crown can contribute to unnecessary depth and an unbalanced proportion set, particularly when paired with a steep pavilion.
Can a crown angle be too shallow?
Yes. Very shallow crown geometry can alter the desired balance of fire, brightness and contrast, although the complete proportion combination still matters.
What is a steep-deep diamond?
Steep-deep generally describes a round brilliant where crown and pavilion geometry are both relatively steep, potentially producing excessive depth, darkness or inefficient spread.
Should crown and pavilion angles always compensate?
They interact, but there is no simple compensation formula. A slightly steeper crown can work with a shallower pavilion and vice versa, but the complete diamond still needs evaluation.
Does GIA have one ideal crown angle?
No. GIA's Excellent cut grade includes many proportion combinations rather than one mandatory crown angle.
Does GIA have one ideal pavilion angle?
No. Pavilion angle is assessed as part of the complete cut design.
Why is pavilion angle so important?
The pavilion mains play a major role in returning light through the top of the diamond, and relatively small angular changes can influence the face-up pattern significantly.
Why can two diamonds with 40.8 pavilion look different?
The reported pavilion angle is an average and rounded measurement. The stones can also differ in crown, table, lower halves, stars, girdle and optical symmetry.
Why can two diamonds with 34.5 crown look different?
Crown angle is also an averaged report value, and its effect changes according to pavilion angle, table size and the rest of the facet structure.
Does a high crown create more fire?
Crown geometry can support dispersion, but a higher crown does not automatically create a better or more fiery diamond. The pavilion and complete cut must also work.
Does pavilion angle control brilliance?
It has a major influence on light return, but brightness is produced by the complete diamond rather than one angle alone.
Does a dark centre mean the pavilion is wrong?
Not necessarily. Some dark areas result from normal observer obstruction and contrast. Persistent excessive darkness deserves closer investigation.
Can GIA Excellent diamonds have different crown and pavilion angles?
Yes. GIA Excellent covers multiple proportion combinations and face-up appearances.
Should I reject a pavilion above 40.9 degrees?
No. Dalila's range is a focused shortlist rather than an official pass/fail boundary. Stones outside it can still perform attractively.
Should I reject a crown above 35 degrees?
No. A higher crown can work with an appropriate pavilion and table. Evaluate the complete combination.
Are crown angle and crown height the same?
No. Crown angle measures facet inclination, while crown height describes the vertical height of the crown relative to diamond diameter.
Are pavilion angle and pavilion depth the same?
No. Pavilion angle measures facet inclination, while pavilion depth expresses the pavilion's vertical depth as a percentage of diameter.
Do crown and pavilion angles affect diamond size?
They can influence total depth and weight distribution, which can indirectly affect how efficiently the diamond uses its carat weight and how large it appears face-up.
Are crown and pavilion angles more important than table and depth?
They answer different questions. Table and depth are valuable screening metrics, while crown/pavilion interaction explains more of the underlying geometry. Use them together.
Can proportions alone guarantee excellent light performance?
No. Proportions are excellent shortlisting tools, but final selection should include actual face-up appearance and, where available, credible diagnostic evidence.
